Untitled

This work is based on the theme of regeneration and circulation, and uses discarded Japanese paper as its material. It is made from high-quality Japanese paper that has been used for calligraphy practice and has outlived its usefulness. By limiting the coloring and materials to natural ones, the work embraces the fate of eventually returning to the earth. Rather than opposing creation and destruction, the work is based on a quiet philosophy of reinterpreting them as part of a cycle.
Using washi paper, a material deeply rooted in Japanese culture, he sheds light on the issues of consumption and waste in modern society, and through creative acts that resemble prayer, he develops expressions that gently touch the memories and sensibilities of the viewer.