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Based in Kyoto, I have primarily focused on painting. I try to depict images at an earlier stage than a completed outcome, characterized by an approach that views visible and invisible elements as equally significant.
My work starts from images that emerge when I perceive that the reality before me is inseparable from thought and language. I treat the consciousness that attempts to express these images in the same way I treat external reality. Through this process, I try to generate paintings where images become integrated with bodily movements and intentions, which are then directly fixed onto the canvas. In recent years, I have also started working with ceramics alongside painting, moving between two-dimensional and three-dimensional forms. The time it takes for an object to materialize as a form and the process of its perception have become crucial elements in my current practice.